Фелисити Джонс, номинантка премий «Оскар», «Золотой глобус» и BAFTA, звезда фильмов «Звездные войны» и «Инферно», впервые стала мамой!
Никаких официальных заявлений Фелисити и ее супруг, режиссер Чарли Гард, не делали, и даже сам факт беременности не был подтвержден творческим семейством.
Актриса попала в объектив папарацци в Лондоне в момент прогулки с новорожденным малышом.
Я начала учиться, читала книжки, даже покупала курсы, но оказалось, что в роликах на YouTube гораздо больше информации. По ним осваивала новые методики и инструменты. Очень хороший канал у одного из первых столярных блогеров AmarantPro — он доступно объясняет все основы столярного дела. В канале HeARTwood, в свою очередь, есть много полезной информации про инструменты.
Идеи для новых предметов приходят очень просто: когда появляется потребность, смотрю, что есть на рынке, анализирую, как это сделать под свои размеры или из определенных материалов.
Поскольку я хорошо рисую, то сделать предмет по фотографии не проблема — надо просто соблюдать пропорции.
Сочи, ах, Сочи! Как много туристов отправила к тебе пандемия коронавируса. Листаешь ленту «Инстаграма» и кажется, будто на черноморском побережье побывал каждый второй. Если вы входите в меньшинство, еще не отдохнувшее на главном российском курорте, то наверняка много слышали о нем. Проверьте, как хорошо вы его знаете. И собирайте чемодан — осень там волшебная (прости, Сочи).
Кстати, если вы готовы рассказать о своем (не)удачном отдыхе на курортах в этом году, поделиться впечатлениями, пишите на почту nnizamova@woman.ru.
Фолловеры Самойловой оценили ее новый смелый образ и даже отметили, что Оксана стала невероятно похожа на свою среднюю дочь. «Просто Лея», «Лея, ты ли это?», «Лея через 20 лет».
А кто-то даже пошутил, что Оксане стоит опасаться, не сбреет ли на радостях Джиган брови.
Гостями презентации стали Екатерина Одинцова, Согдиана, Мария Погребняк, Аида Уразбахтина, Ника Вайпер, Елена Сажина, Ольга Якубович и другие.
Gucci: Courtesy of the brandInstagram
Style Points is a new weekly column about how fashion intersects with the wider world.
Jeannette Wei. Sabrina Pilkati. Ioana Ciocan. These may not be household names, but they’ve all played a big part in fashion recently. Wei is designer Joseph Altuzarra’s grandmother, and her wardrobe helped inspire his fall 2020 collection. The designer recently tapped Wei, his mother Karen Altuzarra, his cousin Lily Scout Kwong, and his daughter Emma Altuzarra-Weissman to star in this season’s campaign.
“My mom was visiting me in Long Island,” Altuzarra explains, “and happened to receive her personal order from our Pre-Fall collection. She was trying the pieces on, and I thought it would be such a fun idea to film her in some of her looks. She always looks so wonderful in the clothes, and she was excited to be part of the video. We had a lot of fun making it, and really just made it as a video for ourselves.” That video went the fashion version of viral, getting picked up on Twitter and reaching an audience outside the industry in a way fashion campaigns rarely do.
“Real model” casting is hardly a new phenomenon—Martin Margiela was famously doing it back in the day. But its use has too often felt stunty—the one beautiful 70-year-old walking a show, the face-tattooed skateboarder making his way from the halfpipe to the runway. At its worst, it has tended to tokenized models who were the one plus-size model or over-50 model on the runway, for example.
One of the few upsides of this time of harrowing self-isolation is that we’re seeing designers turn to their friends, family, and design teams, as well as other everyday people, and put them in front of the camera, and as a result, seeing a completely new side of humanity that normally goes unremarked on.
For example, we normally only see a brand’s staff in the occasional runway bow or behind-the-scenes photo. But that is starting to change. After showcasing his design team in his fall 2020 runway show, Gucci’s Alessandro Michele went a step further for his Epilogue show this summer, featuring them as models in the lookbook. The employees’ individual quirks were highlighted on sticky notes noting the elements of their personal style that remained in the image—Pilkati’s bleached ends, men’s ready-to-wear designer Marvin Desroc wearing his own earring. Acne made a similar move, showcasing its staff, including Ciocan, posing with their dogs. And though they weren’t modeling, we got to witness members of the Dior atelier working away on miniaturized versions of the house’s couture designs.
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In some cases, the designers themselves have even become their own model muses. Gabriela Hearst posed for her lookbook this season, and Collina Strada designer Hillary Taymour has modeled her own eye-catching mask designs on her Instagram.
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There’s a human-interest factor in getting to see fashion professionals whose contributions usually go unseen. But the scope of subjects has been widened well beyond the industry. Perhaps as we’ve become conditioned to seeing nurses and doctors featured in magazines—including this one —and in fashion campaigns like Reebok’s new ads showcasing healthcare workers, our interest in quote-unquote real people has increased. Jeremy Scott’s Moschino At Home project, which I wrote about earlier this year, involved the designer driving around Los Angeles distributing clothes to celebrity and non-celebrity friends alike: among those featured in the resulting photos were a doctor and a stay-at-home mom. And New York magazine’s Look Book feature even recently showcased postal workers as street style subjects. In a sea of #spon, there’s something about the authenticity of a non-influencer with a real job, a real mission, and something to say, the same spirit which animates our sudden interest in public sector merch. It’s a reminder that you don’t need to have millions of followers to have personal style.
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This content is imported from Instagram. You may be able to find the same content in another format, or you may be able to find more information, at their web site.
That growing interest can be quantified. Altuzarra calls the reaction he received on the video of his mom “incredible and so unexpected!” adding that the engagement was «much higher than anything else we’d posted. People really reacted to the intimate feel of the video, and loved getting a look inside our family dynamic.”
While the use of non-models raises some of the same questions for the profession as the rise of avatar models, there’s no doubt that this departure from the usual has been refreshing. “I think it adds so much depth to the stories that designers are telling,” Altuzarra says. “In my case, my family is such a big part of my life, and my identity, and including them in the storytelling of the brand has felt both moving and rewarding.” Let’s hope that that spirit extends long past this moment in time.
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Courtesy of Larissa Hofmann/Marc Jacobs
Adding to the conversation about gender and sexuality in 2020, Marc Jacobs just dropped a new collection that celebrates polysexuality. (For those not familiar with queer identities, a polysexual person is someone who attracted to multiple genders and identities.) Titled «Heaven,» the collection draws on teenage daydreams, alienation nation, queer youth, candy ravers, apocalypse sugar, and toxic shock valley girls (to name a few) while paying tribute to the films of the new queer pioneer Gregg Araki, the plushy sculptures of Mike Kelley, and artist Cindy Sherman. The items are not aimed toward a specific gender identity, rather leaving it up to the shopper to decide what is right for them.
This is on par with Marc Jacobs’ messaging for his audience, which draws upon the designer’s past themes exploring subversion, girls who are boys and boys who are girls, those who are neither, and other multifaceted characters in the Marc Jacobs universe. In the past, the designer has spoken out about gender fluidity in all spaces from fashion to beauty: He has championed men wearing makeup, spoken out about being boxed in by labels and identifications, and is a proud feminist. In the Marc Jacobs world, you can be whoever you want and ignore societal norms of what’s expected. (If you recall, the designer proposed to his now husband at a Chipotle with a flash mob!)
The «Heaven» collection is a celebration of individuality and enigmatic personalities in all forms.
Courtesy of Larissa Hofmann/Marc Jacobs
Courtesy of Larissa Hofmann/Marc Jacobs
Courtesy of Larissa Hofmann/Marc Jacobs
The campaign was shot by Larissa Hofmann and styled by Danielle Emerson. Up and coming stars such as Iris Law, Jyrrel Roberts, Vegyn, fashion darling Lily McMenany, and more are featured in the ads. Meanwhile, Shoichi Aoki, creator of legendary street style bible FRUiTS, created the Marc Jacobs look book. Best of all, the «Heaven» line hits at an affordable price point. Shop the new releases below.
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Fitbit’s ongoing partnership with the Council of Fashion Designers of America has already produced collaborations with Kim Shui, PH5, Public School and more to produce comfortable bands for the brand’s best-selling smartwatches. You can’t talk comfort without mentioning the knit connoisseur Victor Glemaud, who is the latest designer to join forces with Fitbit.
Glemaud is famous for his vibrant, sleek pieces in cheeky colors and cuts. His signature knits have draped the bodies of Issa Rae, Selena Gomez, Ashley Graham and more. Now he’s bringing his eye for detail to Fitbit’s Sense and Versa 3 models.
Courtesy
Glemaud designed three different bands for the smartwatch, all of which were crafted from Repreve recycled plastic fibers; one band features a black band with metallic gold flecks, a layered black mesh band with a fire red one underneath, and a chevron red and gold pattern. Each band is costs $40 and launches on September 25. Pre-order is available now on fitbit.com.
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Коронавирус внес в нашу жизнь свои коррективы. Так, традиционно в июне «Кинотавр» в Сочи не состоялся. Но, к счастью, в отличие от многих других мероприятий, любимый праздник кино, уже 31-й по счету, было решено не отменять, дабы поддержать российский кинематограф.
Фестиваль был перенесен на сентябрь.
Наконец, красная дорожка появилась у подножия Зимнего театра, зазвучали фанфары, и 11 сентября состоялось торжественное открытие «Кинотавра».
Дело получило совсем скверный оборот: вскоре с Лаврентьевой и ее мужем повздорила и Ксения Собчак, к тому моменту успевшая стать законной супругой Константина Богомолова. Она опубликовала иронический пост о «женском отчаянии», который многие, в том числе сама Оксана и ее супруг, сочли критикой интимной фотографии, размещенной Лаврентьевой в своем аккаунте.
Цыпкин вступился за жену, снова было сказано немало резких слов, и можно было подумать, что некогда дружеские и теплые отношения четверых взрослых знаменитых людей разрушены навсегда взаимными обидами и недопониманием.
И вот сегодня, 11 сентября, что символично, в день открытия Кинотавра 2020, Оксана Лаврентьева разместила в своих Инстаграм-историях фото с Константином Богомоловым и подписью «Фото года». Судя по прическе Лаврентьевой, фотография сделана недавно, и люди на ней явно не испытывают взаимной неприязни. Константин репостнул эту запись без каких-либо дополнений, что, кажется может означать одно: поминать старое ни к чему, обиды долой.
